It is very hard to get out on the road and have to leave him behind. I probably question it daily, especially now that I have a two-year-old. That always means alot to me, when I hear that from fans.Ĭan you give us one or two instances in which your commitment to music has maybe been questioned? Maybe being out on the road got to you or you encountered a few of the tons of frustrations a career in music can bring? Another highlight is just having someone form a personal connection with one of my songs. It tells me that I am (maybe) good at this old songwriting thing (laughs). What are some of your career’s biggest highlights so far and why?ĭefinitely being chosen so many times for Kerrville, Wildflower and other songwriting competitions. But to have such a high honor showed me that I was on the right path. I wasn’t sure how people would accept it, since the song deals with a lynching, which is a very bracing subject matter. I read that “The Picture” was named “Best Political Country Song” by The Boston Herald. We really tried to keep it stripped down and close to what we sound like, live. It was a joy to record the songs with my musical and life partner, Brandon Turner, in Nashville. Many of the songs were inspired by my recent journey into motherhood over the last couple of years. I am very excited about this album and believe it is my best so far. What type of expectations do you have for the record? Can you talk a little bit about what went into the process of creating this one? Where did you record it and with whom? Your new album is out three days after performing in Mount Airy. That song just kind of fell out of me, fully formed. I was so angry about what was going on at the time. That song was about a true event, when we lost a bunch of land and almost our whole farm to the building of a new road. It has been really threatened in recent years by so much real estate development in our area. We live on a farm that has been in my family since 1791. I recently saw a live performance video for “Black Top Road.” Can you tell us a little about what went into the writing of that song? Where did it comes from lyrically? How did the structure take shape? I still consider that to be one of the greatest honors of my career. I couldn’t believe that he even knew who I was, much less that he really liked my music. I was so honored – after all, he is a hugely influential artist on me and so many others. After that, he said that nice quote about me. I first met Roger online via Twitter and he asked me to send him some music. ![]() How did that come about? How did you find out? And when you did, what was your initial reaction? I see on your website that you received some pretty high praise from Roger McGuinn of The Byrds. I found that I could create more of my own opportunities that way, so I decided to focus more on writing and pursuing my own musical career as opposed to acting. As I got older, I started writing my own songs and playing out in public. I started out as a youngster doing plays and musical theatre, so I always liked to perform. We recently caught up with the singer to talk about some high praise she received from Roger McGuinn of The Byrds, what it was like writing a tune that The Boston Herald once awarded the “Best Political Country Song” prize and how hard it is to have a career in music while raising a two-year-old. ![]() She’s on her way around the country, and you should help support her travels, especially considering how her new album will be out on Aug. ![]() (which gives you enough time to check her out and then head on downtown to see Giraffes? Giraffes! at 8 p.m.!). This Saturday, the series will welcome Angela Easterling into the mix at 5 p.m. Have you heard of it? It’s in Mount Airy and has virtually no presence online that we can find (boooo!).
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